Broadway: Children of a Lesser God w/ Joshua Jackson directed by Kenny Leon, King Lear w/ Glenda Jackson. New York: The Orchard with Jessica Hecht and Baryshnikov, Fêtes de la Nuit, The Healing, Veritas, Movement of the Soul, and Broadway Backwards. Regional: Block Association (Actors Theatre of Louisville), Levity (Warren Miller PAC), Tribes (Guthrie, Steppenwolf, Everyman Theatre), Pippin (Center Theatre Group / Deaf West) and was the first Deaf actor to play Quasimodo in The Hunchback of Notre Dame (Sacramento Music Circus and La Mirada Theatre) Film: Better Nate Than Ever, Wonderstruck, Sign, The First Purge. TV: “New Amsterdam,” “Lisey’s Story,” “Zoey’s Extraordinary Playlist,” “This Close,” “High Maintenance,” “Don’t Shoot the Messenger.” Workshop: Titus with Public Theater, Hamlet (Hamlet) with Deaf West/Fiasco Theater.
Our Town, King Lear, Children of a Lesser God
Broadway: Our Town, Moulin Rouge, The Color Purple (revival), Bandstand, The Scarlett Pimpernel, Dream, Smokey Joe’s’ Café, Dreamgirls (revival), Leader of the Pack, A Chorus Line. West End: Ragtime (Olivier Award Best Actor nomination), 125th Street (world premiere). Tour/Regional: Hadestown (Eliot Norton Best Actor Award), Tambourines to Glory (Helen Hayes Best Actor nom), First Wives Club (NAACP Best Actor nom), The Lion in Winter, Radio Golf, A Man for All Seasons, Gem of the Ocean, Driving Miss Daisy. Film: A Complete Unknown, The Christmas Letter, Estella Scrooge, Stayin Alive. TV: Recurring on “Law & Order,” “FBI: Most Wanted,” “East New York,” “The Path,” “911,” “Elementary;” “Blue Bloods;” “Instinct;” “Person of Interest;” “The Good Wife;” “Colin in Black and White;” “When They See Us.”
View Full ProfileMatthew Elijah Webb is a Detroit-raised actor, writer, and creative. Theatre credits include Fat Ham (as “Larry”) The Geffen Playhouse in LA, and Studio Theatre in DC, and Fat Ham (u/s “Juicy,” “Larry,” and “Tio”) on Broadway and off-Broadway at The Public Theatre. He has developed new works with playwrights a.k. payne, Rudi Goblen, and Jeremy O. Harris. He holds his MFA in Acting from the Yale School of Drama.
View Full ProfileBroadway: Purlie Victorious. NYC: The Chimera (Lincoln Center), Addy & Uno(Off-Broadway Alliance Award nom), Liz Swados’ Nightclub Cantata (York Theatre), Alex & Eugene (NY Innovative Theatre Award), Other Than We (La MaMa), The American Nightmare(Teatro Latea), Botticelli In The Fire. Regional: The Tempest, As You Like It, The Seagull, Hand To God, Long Day’s Journey Into Night. Film: I’ll Never Forget (Amazon), Loud & Longing, Higher Calling. @noahpyzik
View Full ProfileBroadway: The Inheritance. NYC: Fuente Ovejuna (TFANA), Superstitions (Pool Plays), Richard III, Hamlet, Macbeth (HVSF) Bordertowns (HERE) Regional: Guthrie, Mixed Blood, Moving Company, Teatro del Pueblo. TV: The Other Two. Film: The Public Domain, Nina of the Woods, Farmer of the Year. Thanks CTG, 1022m!
View Full ProfileSafiya Kaijya Harris (Rebecca Gibbs) was born and raised in Miami, Florida. She is a proud alumni of Carnegie Mellon University. Last summer, Safiya was in theensemble and under-studied “Ophelia”in Hamlet, Shakespeare in the Park. She also performed the role of “Viola” in Twelfth Night (Santa Cruz Shakespeare), “Rosalind” in As You Like It (Shakespeare Theater of NJ), “Sally Bowles” in Cabaret, “Bunny” in Detroit ‘67, “Marisol” in Marisol and many more. You can find her music on all streaming platforms under SAFIYA. Shoutout to her amazing team at Aperture Talent and Luber Roklin Entertainment. She is eternally grateful to her family and friends that have been a huge support in her living her most authentic life.
View Full ProfileBroadway credits: Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch, Fat Ham, A Soldier’s Play, The Book of Mormon, A Raisin in the Sun, The Trip toBountiful, The Big Knife, The Mountaintop, Passing Strange, Radio Golf and Gem of the Ocean. Off-Broadway credits include Fat Ham (Public Theater/[Obie Award]) On Sugarland (NYTW/ [Obie Award, Audelco Award for best actor, Drama Desk Nomination for best actor]), Where the Mountain Meets the Sea (Manhattan Theater Club) Much Ado About Nothing (NYSF), Pitbulls (Rattlestick Playwrights Theatre), The Jammer (Atlantic Theatre Company), In the Footprint (The Civilians), Waiting for Godot and Three Sisters (Classical Theatre of Harlem). Regional credits include Seven Guitars, Death of a Salesman, Good Faith, Richard II, Breath Boom (Yale Rep), Macbeth (Berkeley Repertory Theatre),The Good Negro (The Goodman), Stick Fly (Elliot Norton nomination for Best Supporting Actor/ Arena Stage and Huntington Theatre Company), Othello (CalShakes), Spunk (Actors Theatre of Louisville), The People Before the Park (Premiere Stages). Other stage credits include productions at Two River Theatre, Alliance Theatre, Hartford Stage, and numerous productions at The Dallas Theater Center. Billy is a graduate of Yale School of Drama.
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